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SUPPORT LOCAL HEAVY METAL tee

We are extremely happy to offer our very first EVERYDAY METAL tee.
Featuring a huge SUPPORT LOCAL HEAVY METAL back print, our shirts are designed in house and printed by the very talented Redwood Press on 100% combed cotton.

Check out our behind the scenes video below and you can get your tee in our online store.

WHILE SHE SLEEPS – Forum Melbourne 2024

Words by CeeCee
Photos – rixoncaptures

On Saturday, October 5th, The Forum Melbourne hosted the final night of the 2024 “Live in Australia” tour by While She Sleeps. The show featured an impressive line-up, including Stick To Your Guns, Ocean Sleeper, and Boundaries. It was a night of intense performances, marking a thrilling end to the tour and a memorable evening for the crowd.

For the first time since forming in 2014, Hartford, Connecticut-based metalcore band Boundaries graced our shores, kicking off the night with a powerful performance. Though I hadn’t heard of them before, they quickly made an impression, bringing in the crowd early with an intense, high-energy set.

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The atmosphere was set from the start, with mosh pits and crowd surfing erupting almost instantly. Frontman Matt McDougal, along with drummer Tim Sullivan and bassist Nathan Calcagno, fuelled the chaos with their dynamic presence and commands like, “When this comes in, all my friends off your feet!” and “I need anything you’ve fucking got right now!” Guitarists Cody DelVecchio and Cory Emond contributed to the energy with head-banging, and Cody even treated fans to a guitar flip toward the end of the set.

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The band ripped through a selection of tracks, including “My Body Is a Cage,” “Realize and Rebuild,” “Turning Hate Into Rage,” and “I’d Rather Not Say. ” They closed with “Easily Erased,” one of the most well-known songs from their latest album. 

Ocean Sleeper hit the stage with the electrifying energy that fans have come to expect from this talented Victorian band. Despite vocalist Karl Spiessl performing with a broken leg—an injury sustained toward the end of the tour—his energy remained unshaken throughout the set. From the moment he hobbled onto the stage, the crowd was immediately captivated, erupting into mosh pits and joining in for sing-alongs that echoed through the venue.

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The band’s tight-knit performance was elevated by the talents of Ionei Heckenberg, who not only delivered crushing guitar riffs but also contributed soaring clean vocals that added depth to the band’s sound. Stan Liagourdis, on rhythm guitar, kept the energy high with his powerful playing and relentless stage presence, while drummer Jarred Robson provided the driving force behind the band’s intensity. Robson’s dynamic drumming, from thunderous breakdowns to more subtle, melodic moments, kept the crowd on edge, ensuring no one could stand still for long.

The set list featured fan favourites such as “Heaven,” “Light in My Dark,” and the explosive closer, “Never the One.” They also treated the audience to a preview of their upcoming EP with the new track “Maybe Death Is All I Need,” set for release on October 18th. A highlight of the night was the guest appearance of Matt McDougal (Boundaries’ frontman), who joined the band for “King of Nothing.”

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What I truly admire about Ocean Sleeper is their seamless blend of melodic passages with crushing breakdowns, creating a performance that is both emotionally charged and bursting with energy. Their ability to craft such an atmosphere is a testament to their unique sound and powerful stage presence.

Stick To Your Guns kicked off their set with a light-hearted twist, playing the track “Tequila,” which had the crowd laughing and quickly transitioning into a sing-along before diving straight into the explosive “Nobody.” It was my first time seeing the band live, and they wasted no time getting my head banging and feet moving.

Hailing from Orange County, California, this hardcore punk band knows how to take control of the room. Frontman Jesse Barnett had the crowd wrapped around his finger, mixing raw vocals with humour, and at one point calling out, “Let’s get some fucking movement in here, open this shit up!”—which, of course, ignited a massive mosh pit. The band’s energy was electrifying, with bassist Andrew Rose and guitarists Chris Rawson and Josh James in perfect sync as they jumped around the stage, while drummer George Schmitz laid down thunderous beats that kept the intensity at a high.

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Midway through the set, Barnett remarked, “We had a cold and rainy day, but still a beautiful day though,” before launching into the politically charged “What Choice Did You Give Us?” The band also playing other standout tracks like “Invisible Rain” and their newly released single, “Severed Forever,” which hit hard with the crowd. They closed the night on a high with “Against Them All,” leaving the room buzzing with adrenaline.

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For nearly the entire set, circle pits and mosh pits dominated the floor, adding to the chaotic, yet thrilling atmosphere. Stick To Your Guns maintained their electrifying presence from start to finish, proving once again why they’re a powerhouse in the hardcore punk scene. Their blend of energy, passion, and connection with the audience made for an unforgettable experience.

To close out the night, the boys from across the pond, While She Sleeps, delivered an explosive performance filled with energy, laughs, and waves of crowd-surfers rushing the stage to get up close with the Sheffield-based band. From the moment they stepped on stage, it was clear this show was going to be something special.

Front man Lawrence “Loz” Taylor commanded the stage with his quick wit and powerful vocals. His engagement with the crowd was equal parts intense and hilarious, with lines like, “Melllboooourne, how the fuck are you sexy motherfuckers feeling tonight? Make some noise!” and the unforgettable Aussie quip, “We didn’t come here to fuck spiders, if you know what I’m saying.” Loz thrives on interaction, frequently diving into the crowd to get personal with fans, crowd-surfing through the sea of hands during tracks like “You Are All You Need” and “Anti-Social.”

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The rest of the band complemented Loz’s energy brilliantly. Guitarist Mat Welsh’s brought not only exceptional technical skill but also a dynamic stage presence, his riffs cutting through the air with precision. His backing vocals added a layer of depth, enhancing the songs. Meanwhile, Sean Long guitar work provided the heavy riffs that defined their sound, with epic solos that had the crowd roaring in approval.

Bassist Aaran McKenzie held down the rhythm with energy, his powerful bass lines providing a solid flow throughout the set. He effortlessly moved around the stage, engaging with the audience and adding more to the electric atmosphere.

Drummer Adam Savage was the driving force behind the band’s intensity, laying down thunderous beats that elevated each song. His impressive drumming helped in fuelling the mosh pit that erupted in the venue, almost taking over the whole crowd. The synergy between the band members was palpable, creating a captivating performance that kept the audience enthralled.

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A standout moment for me was when they performed “Self Hell,” one of my favourite songs. The chorus had me singing along, swaying to the beat, completely immersed in the moment. Loz’s passion shone through as he encouraged everyone to join in, creating a shared experience that resonated throughout the venue.

One of the most unforgettable moments came when Loz called out, “I wanna see people’s faces! Get on shoulders, get your torches out, and hold them into the fucking sky—turn this room into a motherfucking skylight!” The crowd followed suit, lighting up the venue as they opened into “Four Walls,” creating a magical atmosphere that connected everyone in the room.

In true While She Sleeps fashion, Loz also took a moment to deliver a heartfelt message before “Enlightenment.” “If we put the fucking phones down for a second, open our eyes and open our ears, we can be there for the people who need it the fucking most. It just takes a little bit of fucking compassion sometimes.” The crowd responded with cheers, clearly moved by the statement.

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As the night drew to a close, the band kept the banter alive with another cheeky line: “We did come here to fuck spiders, if you know what I mean,” before throwing in a surprise cover of The Chemical Brothers’ “Go.” They ended their set with the hard-hitting “Systematic,” but not before teasing, “We’ll be back soon, cause we like it down under, if you know what I mean.”

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From start to finish, While She Sleeps delivered a high-octane, unforgettable performance packed with humour, passion, and pure metalcore energy. The connection they create with their audience is unmatched, making it clear why they are one of the top acts in the scene today.

If you love heavy mosh pits, sing-alongs, and plenty of laughs, then any of these bands are a must-see! The night was filled with laughter and an incredible atmosphere that kept the energy high. A huge thank you to the crew at The Forum and Destroy All Lines for hosting such a fantastic event!

Thanks to the Forum Melbourne Crew for having us and a special thanks to BIGMOUTH PR for arranging media access.

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

KORN – Announce Only Australian Headline Show

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Calling all Adelaide KORN fans – It’s On! Today, the Gobal metal icons announce a special one-off Good Things Festival 2024 headline sideshow for Adelaide, taking place on Wednesday 4 December at the Adelaide Entertainment Centre Arena.

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For decades, KORN have wielded a formidable reputation, spanning their early days spearheading the heavy music revolution of the mid 1990s through to their more recent works. In command of two GRAMMY® Award wins, multi-platinum album certifications, and over 40 million records sold worldwide, KORN have also remained an enduring fan favourite down under with three #1 albums in Australia under their belts, including their most recent 2022 full length Requiem.

Roaring into view in 1994 via their debut self-titled album, KORN have remained true leaders in their field, tirelessly seeking outside the box while sharpening their trademark concoction of downtuned guitars, eerie production, savage grooves, and gripping lyricism. Few who were there from day one will ever forget the likes of singles Blind and Daddy, or immortalised tracks Freak On a Leash and Got the Life that soundtracked the late 90s. So great was the impact of KORN’s hybrid take on heavy music at the time, their influence sparked Slipknot, Limp Bizkit, Disturbed and many more, all following the undisputed leaders hailing from Bakersfield in California.

Over the years, KORN have also cultivated a ravenous following for their live shows, with their unwavering sonic vision incorporating everything from dubstep and hip-hop to the bagpipe sections of frontman Jonathan Davis. KORN balance brutality with melodic moments and mosh-pit-ready mayhem; like a well-oiled hurricane extremely well versed in how to put on a spectacle for the ages time and time again.

As the coveted headliners for Good Things Festival 2024, the KORN will off the leash and their headline show in Adelaide is one absolutely not to be missed!

Early bird pre-sale tickets on sale Wednesday 9 October @ 9am ACDT Time

Register here ->  
https://daltours.cc/KORN_ADEL

General tickets are on sale Friday 11 October @ 9am ACDT Time

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Good Things Festival + Destroy All Lines Presents

KORN
ONLY AUSTRALIAN HEADLINE SHOW

WEDNESDAY 4 DECEMBER
ADELAIDE ENTERTAINMENT CENTRE ARENA, ADELAIDE

General tickets are on sale Friday 11 October @ 9am ACDT Time
Tickets from destroyalllines.com

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

BENTHAM’S HEAD – “Blood, Salt and Ash” debut album

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Emerging from Melbourne’s underground metal scene, Bentham’s Head has released their debut full-length album, Blood, Salt and Ash. This ambitious record, produced at Big Vibe Creative Studios and expertly mixed and mastered by Troy McCosker, transcends traditional metal sub-genres, blending Progressive, Black, Death, Doom, and Sludge Metal into a powerful seven-track album.

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Blood, Salt and Ash stands as a bold and dynamic offering, with each song weaving together narratives of human struggle on the frontiers of civilization. The album delivers visceral soundscapes inspired by iconic literary works, where harsh realities and primal survival are translated into sonic force. From the brutal western plains of Cormac McCarthy’s Blood Meridian to the dystopian future of Philip K. Dick’s A Scanner Darkly, and the dark history of Van Diemen’s Land, each track is an odyssey into worlds shaped by hardship and resistance.

Musically, Bentham’s Head creates an expansive auditory experience, blending roaring guitars, crushing drums, and ferocious, versatile vocals with moments of stark quiet, ebbing and flowing between aggression and atmosphere. _Blood, Salt and Ash_ promises a journey unlike any other, with towering crescendos and pensive interludes that reflect the intense narratives they seek to convey.

The album’s three singles Blood, Salt and AshIsle of the Dead, and New Path have already captured the imaginations of listeners with their thematic depth and sonic force. These songs set the stage for the full album’s immersive storytelling, covering a range of historical, dystopian, and existential themes.

Bentham’s Head cites influences such as Mastodon, Conjurer, Gojira, The Ocean, and Wayfarer, but with Blood, Salt and Ash, they carve out a sound uniquely their own. Listeners across the metal spectrum, from fans of sludge to post-metal, will find something to resonate with in this genre-defying release.

Blood, Salt and Ash is available across all major streaming platforms, as well as on CD and vinyl through bandcamp.

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BENTHAM’S HEAD – ‘New Path’ Single Launch

To celebrate the release, Bentham’s Head will be hosting an Album Launch Show on October 18th at the Worker’s Club in Fitzroy, Melbourne, with support from KVLL, TREEBEARD, and BLACK ALEPH. This is a live event not to be missed!

Album Launch Show Details:  Date: October 18th, 2024  Venue: Worker’s Club, Fitzroy, Melbourne  Support Acts: KVLL, TREEBEARD, BLACK ALEPH 

Tickets:  https://tinyurl.com/BSALAUNCH

For more information, visit:
 
Facebook: https://www.facebook.com/BenthamsHead
Instagram: https://www.instagram.com/benthams_head_aus/

Blood, Salt and Ash

Track Listing:

1.      Blood, Salt and Ash
2.      Isle of the Dead
3.      Oran
4.      Bangala
5.      Dark Signals
6.      New Path
7.      Talons


EVERYDAY METAL –
 SUPPORT LOCAL HEAVY METAL

JINJER – Australian Tour 2025

Cover shot – JINJER

Ukrainian metal juggernauts, Jinjer, are returning to Australia in February 2025 and they’re bringing Canadian metal legends Kittie along for the ride! 

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This explosive one-two punch promises to be an unforgettable assault on the senses, tearing through Australia with stops at Brisbane’s Fortitude Music Hall, Hordern Pavilion in Sydney, Festival Hall Melbourne, Hindley St Music Hall Adelaide and Metropolis Fremantle.
This is Jinjer’s biggest Australian tour to date!

This is the kind of metal showdown that will leave you breathless, exhilarated, and still craving more. Don’t miss out on what promises to be a show for the ages.
An unforgettable night of pure, unrelenting power.

Tickets go on sale to the general public on Friday, Oct 4 @ 12pm. 

TOUR DATES
Friday, February 21: Fortitude Music Hall, Brisbane
Sunday, February 23: Hordern Pavilion, Sydney
Tuesday, February 25: Festival Hall, Melbourne
Wednesday, February 26: Hindley St Music Hall, Adelaide
Friday, February 28: Metropolis Fremantle, Fremantle

Tickets and info at
livenation.com.au

Mastercard Presale: Tuesday Oct 1 from 10am to Thursday Oct 3 @ 10am  
Live Nation Presale: Thursday Oct 3 from 11am to Friday, Oct 4 @ 11am 
General On Sale: Friday, Oct 4 @ 12pm

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JINJER – Playing as part of GOOD THINGS FESTIVAL 2022

By refusing to conform to the heavy metal rulebook, Jinjer has forged a sound that is so uniquely their own that it‘s hard to describe it in words. The intensity of vocalist Tatiana Shmayluk combined with a sonic rollercoaster of chugging riffs, pulverising bass lines and intricate drums patterns has gained them over 300 million combined streams and views, making their albums some of the most revered and successful in modern heavy music!

Fan favourites like Sit Stay Roll OverHome Back”Call Me A Symbol and the game changing “Pisces” explode with a fury most bands simply cant capture and showcase an incredibly catchy and unique mix of metalcore, djent, hardcore and groove metal that is flavoured with progressive elements. In 2024, Jinjer are at the top of their game, breaking every convention by doing things their very own way.

Over the past 15 years, the band has attained some remarkable milestones. Their latest studio album 2021’s Wallflowers, broke charts worldwide and they consistently tour globally. 
Captivating millions at prestigious festivals and playing sold-out headline shows the world over. 

The bands latest single, Rogue is another raging reminder that Jinjer never mince words when it comes to their music and continue to keep the pressure on with every move forward that they make!

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And if that wasn’t enough, sharing the stage with them is none other than the trailblazing Kittie, who have returned with a vengeance after a 13 year hiatus. 

Crashing onto the scene in 1999  with their debut album Spit, Kittie evolved far beyond their nu-metal origins, developing a crushing, full-fledged metal sound across six albums. 
After their prolonged absence, Kittie came storming back this year with new album, Fire, a record that fuses every element of their past work into something even more volatile, proving they’ve lost none of their venom.

Having not toured Australia since 2012, Kittie’s return is nothing short of a metal revival. Expect a crash course in their discography that goes far beyond their nu-metal beginnings. From the venomous angst of Spit and the moshpit slam of Brackish to the progressive groove of What I Always Wanted and the hypnotic swagger of In Winter through to powerfully catchy new tracks like Vultures and One Foot in the Grave. Kittie’s set will be an intense journey through their evolution, one that old fans will savour, and new fans won’t forget.

For over a quarter of a century, Kittie have defied stereotypes and broken barriers for women in metal, inspiring legions of fans and artists across the globe. Their comeback to Australian shores will be a hero’s welcome for long time fans and an initiation for those just discovering their ferocity.

FOLLOW JINJER
Website // Facebook // Instagram // YouTube

FOLLOW KITTIE
Website // Facebook // Instagram // YouTube

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

CRADLE OF FILTH – Australian Invasion Melbourne 2024

Words – RED
Photos – djsedick

Cradle Of Filths Australian invasion tour brings them to their sellout Melbourne show at the Northcote theatre, accompanied by the ferocious black metal warriors Hybrid Nightmares and the powerhouse as contagious as the name suggests, Infected Rain.  

The night got straight to business from the moment doors opened as the line flowed in smoothly and the venue filled with bustling anticipation, the wait was only short before Hybrid Nightmares took to the stage, clad in corpse paint and enough devilish markings to remove any doubt of what they intended to deliver. this Melbourne 5 piece showed their prowess in effortlessly switching between terrifying dissonant guitars and punishing riffs, all supported with an onslaught of high-octane blast beats from the drums and genre trademark screams from frontman ‘Loki’.

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after shredding out their first songs they called to the crowd for movement, the crowd roaring in response eagerly screaming for more, as they delved further into their set mosh pits began, circle pits ensued and hell was let loose by all members on the stage. Showing no signs of slowing hybrid nightmares powered through continuing to build momentum for the night complimenting the lineup perfectly.

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Hailing from Moldova and bringing a world-class performance with them Infected Rain came out swinging guitars and dreadlocks, slamming riffs and tearing the sound space open with their captivating blend of extreme metal and modern electronic rhythms. From the very first lyric vocalist Lena stole the attention of everyone in the venue as she delivered slick line after line with pure power and intent and the unyielding support of the music behind her. Greeting the crowd, they received an extremely warm welcome with roars coming from the balcony down to the moshpit. calling for a wall of death, the crowd split with haste, before colliding with almost as much impact as Infected Rain delivers every time. Pairing perfectly with the massive sound of Infected Rain was the incredible showmanship of the members themselves, with Lena cementing herself as a true force to be reckoned with as a frontwoman in the modern metal world, guitarists carving to the marrow with steel conviction, only slowing the attack to make room for the enthralling melodic contrast and angelic vocals before punching straight back into the aggressive sound they capture so well.

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With only the headliners remaining the crowd called for the band to begin, the moment cradle of filth stepped foot on stage the venue filled with screams and applause, it was clear they had waited long enough.

Donning their trademark attire, the members of Cradle Of Filth took to their positions, all but Dani Filth himself who, cloaked in a satanic robe hiding his face, stayed at the rear of the stage as the band began their intro. With anticipation building and the crowd growing restless, Dani stepped forward and threw away his disguise to reveal his unmissable corpse paint and beloved spiked armour, to be greeted by overpowering roars of joy from long-term and new fans alike. Cradle opened with a top-tier selection of songs such as ‘Saffrons Curse’ and ‘She is a Fire’.

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Intermissioning to greet the melbournites in attendance Dani Filth displayed that he truly has mastered the art of showmanship, crowd interaction and singing alike. sticking true to the gothic themes and horror-filled tones captured over decades on top of the black metal world, Dani spoke of their demonic journey and sinful enjoyment throughout their tour of Australia before demanding movement from the crowd as they furthered their musical endeavour. Cradle of Filth proved that after all these years they are only bettering themselves at their craft, delivering brutally fast double kicks and unforgettable riffs with true veteran musicianship.  Highlighting the set with songs like Nymphetamine Fix and Born in a Burial Gown the show was no letdown, all the way through to the final ever-reaching high scream, Cradle of Filth delivered a night that will be hard to beat in future.

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@cradleoffilth

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

MAYHEM – 40th Anniversary Tour Australia 2025

Cover shot – MAYHEM

MAYHEM’S 40th anniversary show promises to be a once-in-a-lifetime experience for fans, featuring a setlist that spans their illustrious career, from their groundbreaking debut album, ‘Deathcrush,’ to present day. This concert will celebrate the band’s legacy over four decades of musical evolution and boundary-pushing performances and fans can witness this legendary and exclusive spectacle in Australia!

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@thetruemayhem

This electrifying live performance showcases a retrospective of MAYHEM’S 40 year career as pioneers of black metal and will include rare footage and iconic photos.

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Formed in 1984 in Norway, MAYHEM has been at the forefront of the black metal scene, known for their controversial history, groundbreaking music, and unparalleled live performances. Over the years, they have cemented their status as one of the most influential bands in extreme metal, continually pushing the boundaries of the genre.

Now, as MAYHEM reflects on their 40 year legacy, they celebrate their triumphs over tribulations and tragedy with a-never-before-seen performance, featuring their biggest production yet and other special surprises! When these events conclude, MAYHEM will lay this special production to rest, so this is the only time Australian fans will have to experience this celebratory and rare era of the godfathers of black metal.

MAYHEM performing at:
Jan 9th – Brisbane, Princess Theatre
Jan 10th – Sydney, Metro Theatre
Jan 12th – Melbourne, Northcote Theatre

TICKETS ON SALE 9.00am AEST Wednesday September 25th at:
BRISBANE – www.ticketmaster.com.au
SYDNEY – www.ticketek.com.au
MELBOURNE – www.moshtix.com.au

www.thetruemayhem.com
www.facebook.com/mayhemofficial
www.swdpresents.com

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

PARKWAY DRIVE – 20th Anniversary Tour Melbourne 2024

Words by CeeCee
Photos – Mitch

The night got off to a disappointing start for fans who had waited in line for hours, only to face delayed entry and discover that Void of Vision and The Ghost Inside were cancelled for the second night in a row. This followed similar issues at the Sydney show, where both supporting acts were also dropped due to production problems. A notice from the Parkway Drive team read:

Unfortunately, due to production delays out of our control, The Ghost Inside and Void of Vision will not be taking the stage tonight. Please show your support by purchasing a tee and following them on their socials. Love, Parkway Drive.”

In response, Destroy All Lines quickly organized a pop-up show at Stay Gold in Brunswick for The Ghost Inside, with support from Bad Juju on Monday, September 23rd. Tickets sold out fast, promising an exciting night for those lucky enough to attend.

After a long wait, the night kicked off with I Prevail—a band that, at this point, might as well be named honorary citizens of Australia, given how often they’ve toured here. And it’s easy to see why. Every time they return, they deliver the same high energy that makes them a must-see live act.

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From start to finish, the band had the crowd completely captivated. During “Self-Destruction,” the audience erupted into a massive sing-along for the line, “If You Don’t Know the Devil, Then You Don’t Know Me,” creating an electric atmosphere. Mosh pits broke out across the venue, while the stunning visuals added to the intensity of the experience, making it a full sensory assault in the best way possible.

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True to form, lead vocalist Eric kept the energy flowing with his playful banter. He asked, “How many people have seen us before? Who’s seeing us for the first time? How many people just didn’t want to raise their hands?” The crowd loved it. One of the highlights of the set was their cover of Taylor Swift’s “Blank Space.” Despite Eric joking about not enjoying playing the song, the performance was as fierce as anything else on the set list. At one point, he shouted, “Did we just have a wall of death out there? Fuck yeah!”—a sure sign that the crowd was fully in sync with the band’s explosive energy.

One of the funnier moments came when Eric squinted into the pit and said, “I don’t have my glasses on, but are there three bananas in the pit? Did you guys meet for the first time?” This kicked off a series of banana-themed jokes, including, “I need you to do a banana-split down the middle,” and a classic “That’s what she said,” which had the crowd laughing along.

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In contrast to the light-hearted moments, Eric also took a serious turn when he spoke about his struggles with mental health before performing the emotionally charged track “Hurricane.” He encouraged anyone who needed help to seek it, delivering a touching and heartfelt message that resonated deeply with the audience.

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As the show reached its peak, the energy soared even higher during “Gasoline,” with Eric shouting, “Can you feel it? I said, can you feel it?” “We’re here celebrating 20 years of the greatest heavy metal band to come out of Australia.” The crowd roared back, fuelling one final burst of intensity before the night came to a close.

In a fun twist, the night ended on a lighter note as the Toy Story classic “You’ve Got a Friend in Me” played over the speakers as the band exited the stage, leaving the audience with smiles after an evening filled with heavy riffs, raw emotion, and unrelenting energy.

I Prevail once again proved why they’re one of the best live bands to catch, especially for Australian fans that seem to have formed a special bond with the group.

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The night culminated with the main attraction, the one and only Parkway Drive. I can still remember seeing them for the first time at the inaugural Soundwave Festival in Sydney back in 2007, when I was just 9 years old. At that age, I got away with more, and I had the chance to watch them from right up close, on the other side of the barrier. Parkway Drive was fresh on the scene back then, already with a big following. Watching them evolve over the years has been incredible, and this show was a testament to how far they’ve come.

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They kicked things off with their signature crowd walk, waving their flag high, and immediately set the tone for the night. As soon as the spotlight hit them, the crowd erupted in a roar. The band jumped the barrier and made their way to the middle stage, where the drum kit rose up dramatically, signalling the beginning of the show with “Carrion” and “Prey.” The crowd was instantly electrified, jumping and singing along.

When “Prey” wrapped up, the band turned toward the main stage, where a large drape dropped to reveal an industrial set, shadowy figures lurking in the background. As a bridge lowered, dancers appeared, adding a theatrical touch as the band launched into “Glitch,” one of my personal favourites. The combination of dancers, pyrotechnics, and intricate stage design made the performance mesmerizing to watch.

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Winston, the lead singer, kept the crowd fired up, teasing them with, “You guys didn’t come here to fuck around, did ya?” The energy surged during “Vice Grip,” with even the youngest fans in the seats head banging and throwing up devil horns, proving once again that Parkway Drive knows how to engage fans of all ages.

The intensity of the show was relentless, with Winston remarking, “This whole thing has been knocking me on my ass with all the energy we’ve been given!” The crowd, chanting “Parkway Drive,” demanded more.

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Boneyards” took things to another level—undoubtedly one of the heaviest songs of the night—causing four simultaneous circle pits to break out. Michael from I Killed the Prom Queen made a surprise appearance, emerging from the middle stage to add even more chaos to the moment.

As the show progressed, Parkway Drive continued to amaze with their visual elements. Pyro lit up the stage during “Horizons,” and rain fell during “Wishing Well.” A mash-up of fan favourites like “Gimme a D,” “Anasasis (Xenophontis),” and “Romance Is Dead” kept the crowd fully engaged, even during the madness of “Smoke ‘Em If Ya Got ‘Em,” where “spirit fingers” humorously appeared among the crowd.

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During “Idols and Anchors,” Winston ventured into the crowd, standing on a small platform and introducing Jeff as his “partner in riff.” A circle pit formed around Winston, and toward the end of the song, he crowd-surfed his way back to the stage to re-join the band for “Chronos.” This track introduced a surprising orchestral element, with a cellist and two violinists descending onto the stage, creating a striking contrast between the classical and metal worlds. Jeff’s epic guitar solo alongside the cellist was a showstopper.

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The atmosphere calmed momentarily during “Dark Still,” as the audience illuminated the arena with their phone lights. But the calm was short-lived, as the crowd was soon backing in the pit for “Bottom Feeder,” which had the floor rumbling with the stomps of thousands.

For the grand finale, dancers returned for “Crushed,” performing alongside drummer Ben, who spun in his seat while delivering a blistering solo. Lit bottles were thrown onto the stage, igniting flames and creating a jaw-dropping visual effect. Winston rose from the middle stage and ascended to the bridge, “flying” over the crowd as pyro exploded all around.

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The night came to a close with “Wild Eyes,” bringing the band back to the middle stage, where they began the show. After thanking everyone who made the event possible, they apologized once more for the absence of “Void of Vision” and “The Ghost Inside” but announced a pop-up show at Stay Gold to make up for it. The show ended with a nostalgic montage of photos from over the years, set to the tune of “Tiny Dancer,” a surprisingly sentimental touch after such an intense performance.

All in all, Parkway Drive delivered a high-octane, visually stunning, and emotionally charged show that left fans buzzing with excitement long after the final note.

Thanks to the John Cane Arena crew for having us and massive thanks to Dallas Does PR for arranging media access.

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

SiM – ‘PlayDead’ Headline tour Australia 2024

Words – Clare
Photos – Mitch

Warning, fun times ahead! The doors opened and the crowd flooded into Max Watts with the keenest crews securing the prized positions along the barrier for a triad of energetic genre-mashing metal madness. 

Up first amid their first-ever headline national tour is city locals Bad/Love who pumped the kids up with their succinct set showcasing tracks from their newly released album Mono No Aware including UNGØD, Dead Weight, Saints and Erased. The lead vocalist egged on the audience, kept the energy up and split the room for the first wall of death for the evening.

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@badloveau

The kiwi boys Banks Arcade came out swinging with Faded AF which featured a sweet retro riff from the lead guitarist and an impressive set of guns from the band’s frontman who also sported a tight black tank top that would make Patrick Swayze jealous. The band that’s made Melbourne their home continued with another track from their EP A Muse, No Future. ‘Let’s turn this shit up Melbourne, you got me?!’ Strong vocals and solid instrumentals carried on with Killing Games and Change from DEATH 2. Concluding with Alive and Heartstop the vocalist grilled the herd ‘Are you ready for a heavy one?’ Before he commanded us to push it back as this was our last chance to unleash which spurred on a fury, especially from one enthusiastic crowd surfer.

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@banksarcade

For a guaranteed good time you can’t go wrong with the super saikou Japanese Reggae Metal Punx band SiM (Silence iz Mine) who party on stage like it’s their first and last time, although, this technically was a first time for SiM as they performed live in Melbourne as part of their Playdead World Tour, ‘Finally, SiM has come to Australia!’ exclaims frontman MAH. The fans spared no time at all joining along to the chorus of Under The Tree singing ‘Why, oh, why’ at the top of their lungs before head banging as a single entity to the breakdown. As they continued with the title track of the 2023 album release Playdead, MAH instructed ‘Break your necks mutha fuckers!’ Which got the mosh moving and jumping as they launched into KiSS OF DEATH.

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The festivities continued with BBT and TxHxC which opened up the biggest circle pit of the evening and once again a sing a long was ignited for Blah Blah Blah from their 2013 album Pandora. We were ushered through an Aussie Aussie Aussie chant before fans were treated to Devil In Your Heart which was featured in the popular anime Chainsaw Man. The super fun track Baseball Bat released in 2020 was a standout favourite of mine, the whole room hollered K-I-L-L Y-O-U as MAH slammed an actual baseball bat on the platform’s surface creating an audible crack. From the anime Attack on Titan, they played The Rumbling before encoring with Killing Me from 2011’s Seeds of Hope where the whole venue crouched down before popping back up for f.a.i.t.h from the 2013 album release Evils. Everything was epic in this performance from the extreme technical skills of the guitarist SHOW-HATE, the consistent drumming power of GODRi, the sheer swagger of the SiN as he displayed his dance moves and the charismatic MAH who with a silent hand gesture could split a crowd for the most fierce pit thrash of the night. Hopefully we can get them back here soon (Good Things Festival? Wink, wink).

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@sim_japan

Thanks to the Max Watts Crew for having us and a special thanks to Dallas Does PR for arranging media access.

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

IN HEARTS WAKE – Live at the Forum Melbourne 2024

Words by CeeCee
Photos – djsedick

Melbourne’s own Gravemind drew an early and dedicated crowd, showcasing the strength of their local fan base. The band immediately grabbed the audience’s attention before transitioning into their signature heavy sound. Their synchronized head banging was a sight to behold, perfectly in sync with the pulse of the music, setting the tone for the night.

As the band rolled into their second song, “Deathtouch” the energy in the room only intensified. Gravemind, a tight-knit four-piece, showcased their musicianship with precision and passion. By the fourth song, they introduced a newly released track from just a month ago, signalling a shift toward a more melodic direction in their evolving sound.

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Tracks from their freshly released album Introsphere, such as “Aloy,” and “F.E.A.R.,” were highlights of the night and ending the night on a high note with “Volgin,” a beloved track from their previous year’s release. Gravemind’s performance was a perfect blend of nostalgia and progression, proving once again why they’ve earned such a loyal following in the local scene.

After nine long years, the American band King 810 made their highly anticipated return to Australia, delivering an unforgettable performance. They opened their set with eerie, demonic sounds as drummer Andrew Workman and guitarist Andrew Bale took the stage, masked and setting a haunting tone for the show. Mysteriously, you could hear vocalist David Gunn’s voice, though he remained out of sight

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As the bass player Eugene Gill joined the stage, Gunn finally appeared, and his presence was nothing short of commanding. His movements and theatrical flair filled every corner of the stage, making full use of the space to captivate the audience.

Although it was my first time seeing them live, I was thoroughly impressed. The intensity of the drummer was palpable, with the double kick pounding like a force field. During their fourth song, he even broke a drumstick, which went flying toward the front of the stage (thankfully, no one was hurt!). The crowd was electrified, with many surfing over the audience in excitement.

A special highlight was a guest appearance by Zelli, the vocalist from Paleface Swiss, who joined them for a powerful rendition of “Fat Around the Heart.”

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Paleface Swiss made a thunderous first impression on Australian soil with their debut performance, leaving the crowd buzzing with energy. Known for their ferocious style, the band delivered an unrelenting set, powered by intense double kicks that shook the venue. Every note seemed to envelop the audience, drawing them deeper into the chaotic yet captivating atmosphere the band created.

The standout track of the night, “Best Before: Death,” was a particular highlight, showcasing the band’s raw power and tight musicianship. Despite the intensity of the performance, Paleface Swiss brought a humorous side to the stage, joking about how much coffee and food they had consumed while in Australia.

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Hailing from Switzerland, the band’s blend of brutal riffs and stage presence proved they are a force to be reckoned with. For their Australian fans, this debut was unforgettable, and its clear Paleface Swiss is suppressing nothing when it comes to delivering a hard-hitting live experience.

The night reached its emotional peak with In Hearts Wake taking the stage. Having followed this band throughout their career, it’s always a heart-warming experience to see them live, and tonight was particularly bittersweet. This tour marked the farewell of Kyle Erich, their clean vocalist and bassist for over a decade. The band and fans alike were sad to see him go, making this performance feel even more significant.

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Opening with “Spitting Nails,” In Hearts Wake wasted no time in igniting the crowd. The energy soared when they proudly announced that the show had sold out, making their return to Melbourne after 15 months all the more special. The band dedicated the night to their new album Incarnation, marking the beginning of their journey as a four-piece with Eaven stepping in on bass. “The past is present with us right now,” they declared, as they celebrated this new chapter.

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A touching moment came when the band pulled out a projector, using tarot card screens as a backdrop. They played a five-minute video created in iMovie, featuring funny home videos Kyle had filmed over the last 12 years. The band affectionately called Kyle the “joker” of the group, admitting these clips would never have seen the light of day otherwise.

In a fitting end, the last song they played with Kyle was “Farewell.” It was a poignant and emotional choice, perfectly capturing the moment as the band and fans bid Kyle goodbye.

In Hearts Wake’s performance was a heartfelt blend of nostalgia, celebration, and forward momentum, honouring both their past and future as they embraced the next chapter of their journey.

Thanks to the Forum Crew for having us and to Dallas Does PR for arranging media access.

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

LINKIN PARK – New singer & new album

Cover shot – LINKIN PARK

LINKIN PARKMike ShinodaBrad DelsonPhoenixJoe Hahn, alongside new members Emily Armstrong [of the critically acclaimed band Dead Sara] as co-vocalist and Colin Brittain [songwriter/producer for G Flip, Illenium, One OK Rock] as drummer—share their first brand new music in seven years. 

The iconic band shared a deluge of treats for fans: a new single (HERE) and video (premiering HERE at 4pm PT/7pm ET), for “The Emptiness Machine,” plus a global livestream performance (happening now HERE and available only for 24 hours), and the launch of 6 upcoming arena shows in Los Angeles, New York, Hamburg, London, Seoul, and Bogota as part of the From Zero World Tour. LP Underground fan club exclusive pre-sales start September 6 and general on-sales September 7. Go to LinkinPark.com for more info.

These surprises herald the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15. Pre-order/Pre-save HERE via Warner Records

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On Friday September 6th, the band joins long-time friend and Apple Music host Zane Lowe for an in-depth candid conversation about the incredible legacy of Linkin Park, the 7-year long journey to new music and their excitement for the future. Fans can tune in at 6AM PT to watch the full interview HERE.

Without expectations, ShinodaDelsonFarrell, and Hahn quietly began meeting up again in recent years. Rather than “trying to restart the band,” their instinct was to simply spend more time together, and reconnect with the creativity and camaraderie that has been at the core of their friendship since college. During this time, they invited various friends and cohorts to join them in the studio; among the guests, they found a special kinship with Armstong and Brittain. A natural chemistry drew these musicians back into its gravitational pull as they logged more and more hours in the studio. It was the sound of lifelong musicians rediscovering the uncontainable energy of a new beginning once again. Over this season, FROM ZERO was born.

About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”

Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums. 

Shinoda elaborated, “The more we worked with Emily and Colin, the more we enjoyed their world-class talents, their company, and the things we created. We feel really empowered with this new lineup and the vibrant and energized new music we’ve made together. We’re weaving together the sonic touchpoints we’ve been known for and still exploring new ones.”

Ultimately, with FROM ZERO, the band is looking to harness the purest energy of their past, present, and future. The new era has officially begun. 

FROM ZERO WORLD TOUR 2024
September 11, 2024 | Kia Forum – Los Angeles, CA
​September 16, 2024 | Barclays Center – New York, NY
​September 22, 2024 | Barclays Arena – Hamburg, Germany
​September 24, 2024 | The O2 – London, UK
​September 28, 2024 | INSPIRE Arena – Seoul, South Korea
​November 11, 2024 | Coliseo Medplus – Bogota, Colombia

EVERYDAY METAL – SUPPORT LOCAL HEAVY METAL

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