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SYNTHESIST – Interview

Cover shot – SYNTHESIST

Stalwarts of the mid-late 2000s Melbourne metal & hardcore scenes, Synthesist have popped back up on our radars after over a decade of hibernation (minus one reunion show), stepping into the digital world with the release of their ‘Casual Violence’ EP.  We caught up with Tristan, one of Synthesist’s founding members and guitarists, to chat past, present and future.

our last glimpse of synthesist was a one-off reunion at the start of 2015, as part of the ‘holiday for cambodia’ fundraiser show for your mate, Cam Ward.  how did this go from a few bands reuniting and turn into such an epicly nostalgic mini festival?

I think the eventual magnitude of the event reflected Cam’s larger-than-life personality and how much everyone in the Melbourne heavy music scene loved the guy. When the message got out about his grave prognosis all these great musicians came out of the woodwork and made it their duty to contribute whatever was necessary to make it the best night of his life. It was a beautiful thing to be a part of and we were all immensely proud to have come back after years of inactivity to perform for him one last time.

was there any temptation or conversation at the time about extending the reunion beyond that show?

We were open to doing a future tribute show for Cam after his passing, as there was some talk of having an anniversary for the event. Other than that no, we had all moved on to different things.

you’ve been sitting on the ‘casual violence’ ep for 12 years now.  why did it never end up getting released back then?

The Casual Violence E.P was originally only intended to be a demo/media kit to shop around to record labels back when we recorded it in 2008. Even though we recorded it on a lean budget and with limited pro equipment our recording/mix engineer Reza Nasseri ended up making it sound better than we had planned. However, some time in 2009 we became inactive and we pretty much shelved it indefinitely, along with all other Synthesist-related aspirations.

what led to the ep finally seeing the light of day now?

Our old-time friend Leroy from Double Dragon hit me up one night and demanded that I send him the masters of that recording session; he was disturbed by the lack of “Syndogs” in his gym playlist and convinced us to release it digitally through his label, ‘IdigLig Digital Records’.

you’ve still got your original demo and following ep stuck in the analogue world.  any plans to share them with the digital world as well?

Nah, I think we’ve relegated them to antique status.

is there a future for synthesist and, if so, what does it look like?

We have no plans of reforming full-time, but depending on how the metrics look for the digital release of Casual Violence we might get together to re-record some of our favourite tracks from the first 2 CDs with a more brutal production… and maybe one or two never-released songs that we were writing around the time of our disbandment. Again, that’s all contingent upon Casual Violence being well received… if not, I guess we’ll just go fuck ourselves.

have you been working on any other projects?

Dean [vocals] and myself messed around with a tongue-in-cheek studio project called ‘Desert Cop’ that never really got out of first gear, if anyone is interested they can have a laugh along to a demo we made (Check it out below)

Other than that I’m currently writing for a new collaboration with ex-members of The Red Shore and Boris The Blade. It’s gonna be quite heavy.

Special thanks to Tristan for taking the time to chat with us, you can stream the ‘Casual Violence’ EP on Spotify.

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ALPHA WOLF – ‘Creep’

Cover shot – ALPHA WOLF

ALPHA WOLF have dropped their absolutely devastating new track ‘Creep‘.
Taken from their upcoming record ‘A Quiet Place To Die‘ and follows on from the lead single ‘Akudama‘.

Presented by Grey Scale Records and Sharp Tone Records, A Quiet Place To Die is due out September 25th, you can get your pre-orders here.

Check out the visualiser for Creep below and don’t forget to follow Alpha Wolf on social media.

You can see more from Alpha Wolf on the official SharpTone YouTube channel.

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TECH-TUESDAY – BLEED FROM WITHIN – The End Of All We Know (GUITAR PLAYTHROUGH)

Cover shot – BLEED FROM WITHIN

This Tech-Tuesday we are checking out Glaswegian metalers BLEED FROM WITHIN and their track The End Of All We Know.

This guitar playthrough features members Goonzi and Steven shredding the lead single taken from their 2020 album ‘Fracture‘.

Check out the video below, stream Fracture here and follow Bleed From Within on social media.

You can see more from Bleed From Within on their official YouTube channel.

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SEETHER – ‘Bruised and Bloodied’

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Start your week off with a heavy dose of nostalgia with SEETHER‘s latest single ‘Bruised and Bloodied‘.

SEETHER gained global notoriety with their smash hit single ‘Fine Again’ from their 2002 album Disclaimer. Bruised and Bloodied is the second track to drop from their upcoming album SI VIS PACEM, PARA BELLUM due out August 28th via Fantasy Records / Caroline Australia.

Check out the video below for Bruised and Bloodied and lead single Dangerous below.

Get you pre-order for SI VIS PACEM, PARA BELLUM here, and stay up to date with SEETHER on social media.

You can check out more from SEETHER on their official YouTube channel.

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CURSES – “无为” (WU WEI)

Cover shot – CURSES

Metalcore upstarts CURSES have dropped the second single “无为” (WU WEI) from their upcoming record Chapter II: Bloom.

“Roughly translated, 无为 (Wu Wei) means “not forcing” or “effortless action”. This song is about recognizing the true reality that surrounds us all, the reality that we are all deeply connected to one another and interwoven with the events and world around us. It’s about acknowledging and flowing with the drift of life and its ups and downs.” – CURSES

Presented by Sharptone Records, Chapter II: Bloom is due out August 7th, You can check out the video for “无为” (WU WEI) and lead single The Door In The Wall below.

Don’t forget to follow Curses on social media

Special thanks to Nuclear Blast

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DIAMOND CONSTRUCT – new track & video ‘Psychosis’

Cover shot – DIAMOND CONSTRUCT

Taree’s DIAMOND CONSTRUCT have unleashed their latest track ‘Psychosis‘. Welcoming a DJ into the group, DIAMOND CONSTRUCT lean hard into the nu-metal vibes on this latest track, giving a deeper look into what we can expect from their upcoming release DCX2.

Presented by Greyscale Records, DCX2 is due out 28 Aug 2020, you can get your pre-orders here and check out the video for Psychosis below.

Keep up to date with Diamond Construct on social media.

You can check out more on the official Greyscale Records YouTube channel.

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BABIRUSA – Interview

Cover shot – BABIRUSA

Hailing from Brisbane, Australia, Babirusa burst onto the scene with their first single ‘Desolation System‘ gaining them a sizable and loyal fanbase. Everyday Metal had the opportunity to chat with the band about their debut track and their upcoming full-length album ‘Humanoid‘.

Your first track ‘Desolation System’ was really well received by fans, what was it like to see such a positive response?

We couldn’t believe the response we received from it being our first single! Especially considering we almost lost the music video entirely due to Kyle’s computer dying days before we got the final version of the song. So we didn’t expect to release it on time and we’d already announced the release date.

The Desolation System video embraces some creative visuals, what was the idea behind it?

The goal behind the video was to achieve a technological aesthetic to compliment the concept of the lyrics. The outcome is what you get with minimal budget, but it gets the point across 😜

You recently confirmed the release of your first album entitled ‘Humanoid’ which has a strong concept behind it, can you tell us more about the narrative?

Humanoid is focused around the story of a central character, known as 343, and his journey between reality and the cybernetic world. As he is pushed and pulled through a series of events involving a sinister artificial intelligence, 343 is left to ponder his own existence and what it means to be human.

The album art for Humanoid was created by Portuguese artist Lordigan PedroSena, how did this collaboration come about?

While searching for an artist that could bring our vision to life we stumbled across Pedro through his work with Brand of Sacrifice and fell in love with his art.

Your band features two lead singers each doing their own heavy vocal styles, what inspired this approach?

Babirusa had been in the works for a while, starting out with Tate and Dean around 5-6 years ago. Then about 2 years ago Dean moved in with Rangi, eventually Rangi pushed the idea of Kyle and him working with us. Not long after Rheese was hanging at their house, working on lyrics with Kyle which sparked the idea of having them both as they worked real well together. Finding that having two vocalists allowed more freedom and creativity with what they did.

The name Babirusa is shared by an Indonesian pig that is famous for its skull being impaled by its tusks, was this part of the inspiration for the band’s name?

Yeah – Dean was searching through brutal animals and came across that fact about the tusks, which are actually canines, and thought it mirrored how humanity lives by slowly killing ourselves. 

Last year you supported South African slam metal legends Vulvodynia in your hometown, what was it like to be part of such a killer line up?

We were stoked to be chosen for the show, we really enjoyed it and were absolutely blown away with the early turn out and response to our set. Couldn’t be more thankful for this to have been our first show!

The Covid-19 Pandemic has been hard on the music scene, how have you adapted as a band during this time?

We’ve taken the time to get everything prepared for the future, such as organising promo, album release and tour (when we’re able to because of covid) and writing new music for our next release after Humanoid.

During lockdown some people have come up with some creative life hacks, has there been anything you discovered that helped get you by?

We learned from Nat’s What I Reckon that pasta sauce from a jar sucks and that you should make your own!

As restrictions are easing in Queensland, are you making any future tour plans?

We’re looking into it and doing as much as we can do for now. Keep an eye on our socials for any posts regarding tours and the like!

A huge thanks goes out to BABIRUSA for chatting with us, HUMANOID drops August 28th, you can get your pre-orders here, keep up to date with the band on social media and check out more on the Slam Worldwide official YouTube channel.

Special thanks to Collision Course.

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GIVE AWAY TIME! – Signed JINJER poster

Want to win this signed Jinjer poster?
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You know what to do, Follow us on Instagram, like the photo and tag a friend to be in the running.
One lucky follower will be chosen at random to receive this poster that was signed in-person at the sold-out Melbourne show!

Entries close 5th of August 2020
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Head to our Instagram @everyday_metal to enter

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TECH-TUESDAY – STARVE ‘Shiver’ play through

Cover shot – STARVE

Melbourne’s STARVE have been keeping themselves busy during lockdown recording this guitar and bass play-through of their latest single ‘Shiver‘.

Featuring members Alessio and Ewan, the track is written by STARVE, Produced, Mixed and Mastered by Scottie Simpson.

You can check out the video below, see more from STARVE on their official YouTube channel and follow them on social media.

Also check out our coverage of STARVE supporting DEAD LIGHTS at the Workers Club for the ‘Bathed In Venom Tour’.

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PALLBEARER – New album & track ‘Forgotten Days’

Cover shot – PALLBEARER

Little Rock purveyors of doom metal PALLBEARER have confirmed the release of their eagerly awaited fourth studio album ‘Forgotten Days‘.
The announcement was accompanied by the release of the title track giving fans a taste of what is to come from Pallbearer.

“Forgotten Days is us exploring what is natural to us. The songs tell me where I need to go when I write. We wanted to focus on songs that were visceral and enjoyable to play live – that our audiences would enjoy experiencing. We’re also getting back to more of the groovier and heavier elements of PALLBEARER. Heartless is fairly up tempo and technical. This one is a little more open, it hammers you.” – bass player/songwriter Joseph Rowland

Forgotten Days features a new cinematic video directed by  Ben Meredith and tells the story of an unfortunate traveller who journeys too far, and becomes lost in the depths of both inner, and outer, space. What is real.

Forgotten Days is due out on October 23rd via Nuclear Blast, you can get your pre-orders here, follow PALLBEARER on social media and check out the official video below.

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