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THE MOTION BELOW – Tom Katgert interview

Cover shot THE MOTION BELOW

Melbourne’s THE MOTION BELOW have released the second single ‘Truth Hurts” that caps of their two-part series including the lead track ‘Dead Ends“.

Nate from the Everyday Metal crew caught up with vocalist Tom Katgert to delve deep into the concepts and meaning behind their latest project.

So, this is the follow up track to your last single Dead Ends. What inspired the concept of doing a mini-series?

I don’t quite recall what it was in particular that inspired the idea, but I think we’d all wanted to tackle something a little more narrative-driven for a while. As the main lyricist of the band, I personally wanted to try something new after having spent a rather long time exclusively writing material based on events that had occurred throughout my life. Our original plan was to create something of a short film accompanied by music, somewhat similar to The Amity Affliction, but we ultimately decided against it. The logical step in order to keep the project focused on the narrative was to simply split it down the middle into two parts.

Could you give me a rundown of the story line depicted through the music and lyrics of these tracks?

Essentially the story follows a young man trying to cope with his demons. The main theme of the tracks is addiction; the first track follows our protagonist trying to live normally and failing to escape his issues, while by the end of the first track and the beginning of the second he has submitted to his vices and is spiralling downwards, submitting himself to his mental trauma and isolating himself within his home.

By the end of the video for Dead Ends, the main character attempts to leave his room only to find the exit blacked out, symbolising the mental block he has to overcome in order to re-enter society. Truth Hurts sees him managing to leave his comfort zone; this is at the cost of his mental stability, and the remainder of this video revolves around him attempting to work up the courage to join the rest of the world outside.

What would you like to impart on your fans through this creative piece?

There’s absolutely got to be people out there that have felt the same way as our protagonist; lost, alone, thinking everything is hopeless. My hope is that this story is relatable enough to help those people understand that they are not alone. The picture that we paint for this character may be quite bleak, but that’s only because living the way that he is in the story is ultimately very self-destructive. We hope that anybody who relates to this character realises that they may be locked in a negative cycle and that they may become inspired to reach out to friends and loved ones for help. It’s never too late to break the cycle of addiction.

Is the cover art for Dead Ends and Truth Hurts connected? If so, how?

More or less. The hands are symbolic of the mental state of the protagonist throughout both tracks; the artwork for Dead Ends features a hand bleeding from the wrist, representing the self-destructive mindset that has been nurtured by the protagonist. The artwork for Truth Hurts, on the other hand, features a hand holding a heart. This is intended to symbolise the vulnerable state that the protagonist has found themselves in as a result of their actions. The two together form a bigger picture; the heart is responsible for pumping blood throughout the body, and could therefore almost be considered the source of blood. This forms the visual metaphor for the character’s emotions explored throughout Truth Hurts being the source for the destructive behaviour displayed in Dead Ends. In other words, the artwork for Dead Ends is emblematic of the symptoms of the protagonist’s mental state, whereas the artwork for Truth Hurts shows the source.

Where was the Truth Hurts video shot?

We actually shot that one entirely in Aiden’s (drums) house; Dead Ends was partially shot there as well. All of the full band shots and a good majority of the narrative shots between the two videos were shot in Aiden’s bedroom; all we had to do was move furniture either out of the room or out of shot. That might sound like a bit of a pain in the ass, and honestly, it probably was. I’m the lead vocalist, so obviously helping with manual labour was out of the question.

(That was a joke. I just got there late. Please don’t judge me.)

I see a Bundaberg 12 bottle make an appearance. Is that any of the band members drink of choice?

I don’t actually know.

… wow, I hope not.

With the hopes that government restrictions will be lifted in the near future, have you any plans for live shows?

We had a few potential shows lined up before the Rona hit, but most of those plans have obviously been put on the back burner. As much as we all realise the necessity of social distancing has made live music a bit of a no-go zone at the moment, we all really hope that we can get back on stage as soon as possible because we’re all missing it a lot. We’ve been looking into some alternative means of content creation, so we’re at least hoping to have some more stuff of some kind out for everyone to enjoy soon. Apart from that, the current climate is so weird that we’re more or less playing it by ear.

As soon as we know when we’ll be able to start going to gigs again, you’re all sure to be hearing from us.

Can we expect more tracks with interconnected themes from you guys?

We’re strongly considering it. The creative process for these two songs has been quite a bit different from normal due to the interconnected nature of the story, and that’s been a really fun experience for us so we’re definitely open to doing it again. We’re brainstorming some different topics that we can tackle that have some kind of universal relevance to us as people, and I for one would be more than happy to have more songs that tie together as a single piece, whether that’s as a concept record or simply as another short story type release like these two songs have been. Reception for these two songs has been overwhelmingly positive so it seems to be that people find this kind of thing more interesting, so if it’s a win-win for both sides then why not explore it further?

A huge thanks goes out to Tom and all the members of The Motion Below for taking the time to chat with us. You can check out more from the band on their official YouTube channel and keep up to date on social media.

Special thanks to Collision Course.

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BABIRUSA – ‘Humanoid’

Cover shot – BABIRUSA

It’s been a long time coming, but Brisbane’s BABIRUSA will release their first studio album ‘HUMANOID‘ on August 28th.

The new record features 10 tracks Engineered/Mixed/Mastered by Dan Field and Produced by Sean Delander (Thy Art Is Murder) at Sledgehammer Studio and features cover art by Pedro Sena – Lordigan

You can get your pre-orders here, check out the video for ‘Desolation System’ below and stay up to date with BABIRUSA on social media.

Track listing:

1. 343
2. DESOLATION SYSTEM
3. HUMANOID
4. CATATONIA
5. REFLECTION
6. PENDULUM SWING
7. RESISTOR
8. ABOMINATION
9. DEHUMANISED
10. ZEROHOUR

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MAKE THEM SUFFER – ‘Bones’ video

Cover shot – MAKE THEM SUFFER

Make them Suffer have released their new album ‘How To Survive A Funeral‘ digitally and have shared the video for the track ‘Bones‘.

“‘Bones’ is a song about sacrifice, it’s about the sacrifices I’ve made and the sacrifices we all make to pursue what we love. Writing the lyrics to this song raised the question of how much I’d be willing to give for this band. How much more could this pursuit take from me?” – Vocalist Sean Harmanis

You can view the video for Bones below and stream the new album here.
Don’t forget to follow Make Them Suffer on social media.

Presented by Rise Records and Greyscale records, you can check out more here.

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MACHINE HEAD – 2 Track EP ‘Civil Unrest’

Cover shot – MACHINE HEAD

Bay Area metal icons MACHINE HEAD have dropped a digital EP ‘Civil Unrest’. This release features two new songs ‘Bulletproof’ and ‘Stop The Bleeding’ a collaboration with vocalist Jesse Leach of KILLSWITCH ENGAGE.

‘Stop The Bleeding’ and ‘Bulletproof’ are fierce protest anthem that were written by Rob and Jessie days after the murders of George Floyd and Ahmaud Arbery.

“I wrote and sang the lyrics on Wednesday May 27th 2020, the day that the four officers who murdered George Floyd were (originally) not charged with anything. This day was engulfed in protests and riots across America. I drove into Oakland, past large demonstrations already happening and in a fury wrote down everything I was feeling after watching the horrific footage.  Within hours, what I wanted to say, what I needed to say had been recorded in the song. I decided to sing it over a song called ‘Stop The Bleeding’, that we had recorded back in December. 2018 with Jared [MacEachearn, MACHINE HEAD bass guitar] and Carlos Cruz [Warbringer] on drums.’’Rob Flynn

You can check out the video for Stop The Bleeding below, stream both tracks here and stay up to date with Machine Head and Killswitch Engage on social media.

See more from Machine Head and Killswitch Engage on their official YouTube channels.

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ANTICLINE – ‘Headspinning Bias’

Cover shot – Jayden Pitts Photo

Ballarat heavy hitters ANTICLINE have been busy during lock down, recording their brand new single ‘Headspinning Bias

We have covered Anticline many times over the last year and it has been awesome to see them grow as a band and spread their unique style of heavy.

Watch the official video for Headspinning Bias below and keep up to date with Anticline on social media.

Check out our previous coverage of Anticline:

Wrangler Studios – Supporting Life Pilot
Bendigo Hotel – Tyranny Across Australia Tour
AM/PM – Drown This City
Workers Club – Bathed in Venom Tour

See more from Anticline on their official YouTube channel.

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ALPHA WOLF – ‘Akudama’

Cover shot – ALPHA WOLF

After several weeks of teasers and subliminal promotion, Australia’s very own ALPHA WOLF have confirmed their new album A Quiet Place To Die and released the lead single ‘Akudama‘.

Japanese for Bad Guy ‘Akudama’ is accompanied by a manga-infused video showing off the intensity that Alpha Wolf is famous for.

Check out the video for ‘Akudama’ below, get your pre-order for A Quiet Place To Die here and stay up to date with Alpha Wolf on social media.

Also check out our coverage of Alpha Wolf as they supported August Burns Red along labelmates Gravemind here.

Check out more videos on SharpTone Records official Youtube channel.

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MISERY SIGNALS – New album & lead single

Cover shot – MISERY SIGNALS

After what must feel like a lifetime of waiting, Misery Signals fans can finally rejoice over the announcement of their new album, ‘Ultraviolet’, their first in 7 years, set for release on August 7.

In a double whammy, we were also treated to the first taste of the album, in the form of a video clip for lead single, ‘The Tempest’, not only being the first new Misery Signals music since 2013’s ‘Absent Light’, but the first to feature original vocalist Jesse Zaraska since the band’s debut album, ‘Of Malice And The Magnum Heart’, a whopping 16 years ago.

Zaraska officially rejoined Misery Signals in 2016, after having previously reunited with them on stage in 2014 to commemorate the 10th anniversary of ‘Of Malice And The Magnum Heart’.

Check out the video for ‘The Tempest’ below and stay up to date with Misery Signals on social media.

See more from Misery Signals on their official Youtube channel.

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MASSIC – New track & video ‘Assimilate’

Cover shot – MASSIC

Brisbane’s Massic have come out swinging with their latest single, ‘Assimilate’.  The first taste from their sophomore album, ‘Assimilate’ bursts with heaviness and groove. 

Sitting somewhere in between The Acacia Strain and Meshuggah, musically, with shredding vocals reminiscent of Randy Blythe from Lamb Of God, Massic are well on their way to being a force to be reckoned with. 

Topped off with a light sprinkling of atmospheric undertones, plus some mighty crisp production, courtesy of Clint Vincent (Dead Letter Circus), I’m hooked and eagerly await Massic’s next offering.

Check out the video for ‘Assimilate’ below and stay up to date with Massic on social media.

See more from Massic on their official Youtube channel.

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BAD JUJU – Russell Holland – Interview

Cover Shot – BAD JUJU
Words – Nate Morolli

The Australian punk scene is in for some great things this year as Melbourne’s very own Bad Juju continues to release some powerful, emotion-fuelled tracks. Their latest single Disappoint(release 20/5/2020) stays true to their style and themes of strong bonds of friendship. It addresses what is felt in the aftermath of losing a close friend to the harsh realities of compromised mental health.

I was fortunate enough to have the pleasure of speaking with lead vocalist Russell Holland. Here is what he had to say:

The Message

Basically, we’re really big advocates for looking after yourself and the people around you, mental health, helping out each other, making it fine to talk about with each other. It should be something we can talk about openly to each other rather than hiding it to ourselves and letting it eat you up inside. That’s probably a common theme across all our releases so far.

Evolution

[We] kind of started out not knowing what we were going to be like to be honest. Kind of like we never expected to tour or anything like that. We just started out as a project to put out some music and some people liked it. And we kept learning about what we could do with it.

We’ve got a couple of different members since the first EP. We’ve got a new bass player and a new drummer. So, we’ve brought in their influences into the team. We’ve got Matt on bass and Drew on drums now. Matt also writes a lot of guitar, so he helps with our song writing and that’s really been handy. Now we’ve got three pretty good guitarists that can write songs so that’s definitely made it handy in the writing process.

We pretty much all work together. One of us might start a song and get halfway, and then somebody else will jump in to finish it, and then the third guy will add his flavour on it. So, it definitely changes it up and brings a new feel to the music for sure.

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Disappoint

We wanted to make songs for people who have been impacted by somebody else’s mental health, I guess, in a way of trying to help them get through it. Also, if you’ve lost someone from a mental health issue and you want to remember them in a positive light. And kind of continuing their dreams as well. The lyric ‘I don’t want to disappoint you, I’m holding all the guilt and the grief’ is kind of about feeling a little bit of guilt about the person leaving due to metal health, and that you couldn’t save them. Which is a hard thing that never goes away. We were making music, my friend and I, I just want to continue the dream that we had together and make something that he would be proud of.

Artwork

We wanted to try and do something a little bit different. We’re really into the rock theme artwork – Queens of the Stoneage, bands like DZ Deathrays but also like old metal and horror artwork. We are kind of blending that and trying to make something fun and eye catching but at the same time having a darker side to it. I think it’s a fun way of making that dark imagery look cool. We will probably continue the theme in future stuff as well. It will kind of all link together in the end.

2020 Vision

Definitely going to release more music, so be on the look-out for that. Hopefully after all the Covid stuff goes away, we can play some shows.

We recorded all this stuff ages ago. We’ve really built up a big library of songs and ended up choosing to release this one first – second I should say. It’s just been a long time between the two.

We’re hoping by the time we release all the stuff that we’ve got banked we’ll be able to do a big show at the end of it. But, just gotta see what happens, I guess. It’s a bit of a weird time in the music world.

Stage Cravings in Isolation

Sucks not being able to play shows and watch friends’ bands and go to shows and hang out. Even not being able to jam is strange.

We hang out on zoom just discussing what we’re going to do. The guys have been writing heaps of songs. They’ve been super productive because there’s not much else to do on the weekend. It’s been good in the sense of not being distracted and being able to concentrate on writing some new tracks. So, we will have a bunch of content banked up again so we can hopefully not have a long period of time before we release more music.

Passion for Performing

The energy between the band and the crowd. Having a good time. The crowds’ reactions to songs, especially when people know the words. It feels really good to me and I’m sure the guys love it when they see people jumping around. Like everyone says, there’s not much in music if isn’t for people reacting to it. I guess the energy is what we’re there for.

Big thanks to Russell for taking time to chat with us, you can check out more from Bad Juju on Instagram and Facebook.

Special thanks to Habit Music

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AGNES MANNERS – Interview

Cover shot – Agnes Manners
Words – Nate Marolli

Hellions founder and ex-guitarist Matthew Gravolin has returned with his new solo project, Agnes Manners. His first single titled ‘As long as you’re with me’ has just been released (20/5). We had the opportunity to chat with Matthew and gained significant insight into who he is and what Agnes Manners is all about.

Where did your passion for music begin?

I think I started to develop that love as a teenager. In my very early teens. It was something I couldn’t deny. It started with punk rock, and with punk rock like Good Charlotte, actually. It was something I was really, really fond of. And, the rest is history.

Has this move into a solo career been something that has been on your mind for a long time?

Yeah, I mean it was something that was definitely in the back of mind for many years. But obviously, Hellions was quite busy for a long time. So, that was very occupying.

It wasn’t until very recently. My father passed away in late 2018. I started to feel a little bit anxious about touring, and I quit the band and that’s when I really started to spread my mind to do something a little bit different. Something a little more palatable for the average person, and something that my father would have liked to listen to.

It was something that was in the back of my mind – doing a solo record. I think that was the real catalyst for me to really pick up and go with it.

Tell us about the name ‘Agnes Manners’

Well the songs to me have an effeminate vibe to them especially when compared to, I feel like I’m not going to be able to avoid the comparison, to Hellions music. There’s definitely a lot of that still in there, that theatricality is always going to be in my musical wiring.

It’s definitely a more eclectic and vulnerable collection of songs than Hellions had ever seen before. So, that prompted me to give it a female name.

And, I’ve just always like the name Agnes phonetically. I just think it’s a cool sounding name, it’s very succinct and it sort of reminds me of an old womans name and also, kind of like the kid from the Despicable me film. It’s almost like this double entendre.

As for ‘manners’, that was just the name of a folder that I had on my desktop on my computer. Anything that wouldn’t fit hellions would go into this folder I called manners, just simply because it felt like the right thing to do by intuition. So, yeah put the two together and it felt right so I ran with it.

This style of music is a dramatic contrast to your Hellions days.
What makes you want to shift gears?

To be honest, I’m getting older, listening to less and less heavy stuff. It’s not often I’m in the mood to listen to heavy stuff, which is not very conducive to creating it either. Personally, I have been more drawn toward like modern folk sort of stuff – story-telling stuff that’s a little slower paced so you can really digest it and really tell a story.

What sort of genre does Agnes Manners fall into?

‘As long as you’re mine’ isn’t really indicative of the record as a whole.

I wanted to put that one out first because it’s palatable for everybody, and the chorus is easy to sink into. As a whole, I don’t know. There are definitely numbers that are distorted and a bit on the heavier side of things and then sort of like some funky stuff. Yeah, if I had to put an umbrella over it, I’d probably call it Indie rock.

In regard to the single ‘As Long as You’re Mine’, is this written for a particular person?

It was indeed. The chorus was written with my partner Charlotte, she sings for Dream State and she also features at the end of this song. The verses fed off the feeling the chorus was giving me. So, sort of wrote that off the cuff. The chorus was written first for her and then sort of went from there.

So, you and Charlotte have known each other for some time then?

We’ve known each other for about a year and a half, and we’ve been dating for about a year.

Do you play any other instruments?

Not really, I sing and play guitar and bass as an extension of the guitar. But it’s not really fair to call myself a bassist because I don’t have the subtleties that can make up for a bass players ability. Not really, just the guitar pretty much.

How do you find the creative process as a solo artist as compared to creating music in a band?

Well I guess, I was the primary writer for hellions but obviously we’d all need to sign off on everything, all four of us and our producer. But with this one, because I wasn’t following up another record, I just had a completely cleared slate. It really felt like a big playground this time with no pressure. I was free to draw from and get inspiration from anything. It was such an enjoyable process. It was just Shane and I, Shane is my producer.

[We were] looking backwards more so than at contemporary artists, like towards the Elvis’ and Elton Johns and just the previous greats for chord progressions and song structures. It was great. It was so good not to have to think about what anybody else thought, outside of us two.

Let’s talk a bit about Agnes Manners and what it represents. Whats the core message you’re trying to get across?

Being an advocate for vulnerability in men, which I think is an important thing in this day and age, it’s a lot better than what it used to be. It shouldn’t take a big night at the bar or going on a bender to talk about your feelings and all that sort of thing. [My] other songs in particular are very open and vulnerable and it’s an important thing to be able to share what you’re going through and rely on your friends. I guess that’s one of the primary things in it.

The press release also mentioned ‘dismantling the archaic blueprint of masculinity’. Why is that such an important concept to you, and why do you think it’s necessary to address that through music?

Hellions is sort of like that as well with our music. We went from being very adhering to the down tuned style and putting in a lot of breakdowns and that sort of thing, we wanted to do something a little bit more theatrical along the lines of Queen or something like that. So musically and artistically not adhering to any sort of genre boundary, and I guess as people as well expressing yourself through clothing and yeah, don’t box yourself in.

Can we expect a full album drop any time soon?

I am not quite at liberty to share just yet, but there will be a collection of songs that will be coming this year at some point. And I can’t wait to get it out. It’s been a long time. I recorded it March last year, so I’ve had it for a while, so it’s great to finally be getting it out.

Any plans for live shows yet?

Not as of yet, especially given the climate in general due to Covid. But as soon as we’re able to get into a room now I’ll start rehearsing with a band and we’ll get into it as soon as everyone else can.

So you’ve written heaps of songs, and a book! Where do you find the time, the inspiration, and are you ever not writing?

Yes, I released a poetry collection last year. I draw inspiration from everything, just with conversations with friends, I’m a big reader as well, from books and from music. I’m always writing, all the time. I’ve got a thousand lyrics on the go at any given time. It’s pretty much what I do with most of my time, I’m a bit of a reclusive.

A huge thanks goes out to Matthew Gravolin for taking the time to chat with us, you can keep up to date with Agnes Manners on social media and Youtube.

Special thanks to Habit Music

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